Below are the two paintings that I worked on for the last 2 weeks of class at Studio Escalier. I needed a little distance before I posted them. As I was working I became so frustrated and even sad. I felt that I had wasted my time, hadn’t learned anything, the painting was terrible. I had a day where I simply stopped painted and curled up into a ball in the studio.
Looking at the unfinished images below I am now very happy with my progress. I have learned a great deal in a VERY short period of time and feel accomplished. There is much work to do as I continue to develop my abilities, but I can certainly see that it is worth the effort.
I began painting this summer with zero experience in blending colors or how to use the paints properly. In addition to playing catch up with these skills, I was learning an extraordinary way to look at and appreciate light and the body. I think a little time to marinate these things together will be good. In October I will begin a portrait and still life class with Watts Atelier. The adventure continues!
I returned from break excited to jump into a two week painting and drawing. While I am improving in my work, I am also improving my ability to see what’s wrong with my work. This can be a frustrating balance as “good enough” really doesn’t make me happy.
In drawing, I am beginning to discover my specific weaknesses. Namely – I tend to stretch the torso and enlarge the feet. Recognizing this, I made an effort to restrain the legs in the above drawing. My initial choice wasn’t enough, I continued to hack off the knees as the days went on.
Towards the end of the second week, I was excited to find myself really becoming absorbed by the painting process. I felt like I really turned a corner in my ability to trust myself and see what colors I needed to use. I thought perhaps it was the Euan Uglow book I’d been pouring over one day at break. I find his work very inspirational and adore his resting place somewhere beyond a poster study. I could look at his work for hours.
You can see the same “long limbed” issues in the below painting. If it had been a longer pose or a final piece I would have taken the time to fix them, but my goal was really to focus on color, shadows and light.
One of the benefits I was hoping to gain from this program is the ability to sit with a drawing and really commit to accurate, realistic work. I confess I’ve been a lazy artist and have truly wanted to pull myself out of that rut. My time at Studio Escalier has done just that.
In the past, drawing a rose would have been a quick exercise in not paying attention to much of anything. This past week I found myself engrossed in the myriad of details. What I know now is that there is never “too much” detail. I don’t need to be afraid of the depth of the drawing. The trick is to find a place, commit and stay organized. I hope to complete many more such exercises in patience and exquisite detail.
There are three weeks remaining. Today we begin a three week pose for drawing and painting. Our AM sessions are normally drawing, but we will have the option to turn our drawing into a painting in the next week. So I’m hoping to complete two more paintings before I leave. We will see! I am staying committed to the learning experience, not creating precious finished works.
Ok, I’m ready to share some painting with you. It isn’t pretty, but it is much better than it was. Don’t forget, you can click on pictures to make them bigger.
At the end of week 5 the students at Studio Escalier were blessed with a week’s vacation time. In my ultimate wisdom I had chosen to travel to sun and sea in Cinque Terre, Italy. With overcast, cool, rainy weather in Argenton-Chateau, a week of warm bliss was most welcome. It was beautiful.
I stayed with my parents in the town of Riomaggiore. You can see where we stayed on most postcards.
Dad and I hiked part of the trail that winds along the cliffs. The first part of it was closed due to flood that occurred in 2011. While 17 million Euro (that was the number I thought I heard..seems a little high) was dedicated to repair the trail system, it seems to have disappeared (according to a tour guide I overheard). We were able to hike from Corniglia to Monterosso. The UP was quite steep but manageable. The trails were VERY narrow (in places we had to squeeze by other hikers while gripping the rocks behind them). The view was marvelous. That water…I spent a week floating in it. Incredible.
On the way back I was so happy to stumble upon an Alfons Mucha exhibit (in Genoa). Most people are familiar with his work and it is truly lovely. What really astounded me are his studies. There were a great deal of his drawings displayed. Mucha made a conscious choice to pursue the art nouveau style from a deep understanding of classical works.
ok – Painting…So these first two images show what I have been working on for about 4 weeks. I think they are terrible, but now that I have something slightly better I don’t mind sharing them. We have been working on two types of color studies – poster and rounding. The idea is to record the colors and light correctly to prepare for more in depth painting. So this first group of 3, not so pretty. You can see how my most recent poster study below shows a bit more understanding of color and light. I still find painting to be completely exhausting.
And below is week five’s drawing. In class we are currently working on a 10 day pose. While we are technically only halfway through the course, I feel like the end is just around the corner. I’m hoping that my subconscious soaks up enough information to help me at home!